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Once again, world events are changing our supply and procurement priorities

Once again, world events are changing our supply and procurement priorities

Decades ago, when the institutions of global trading and the national trade policies of the U.S. and many other countries were forged, the emphasis was on opening up and accessing markets. Export promotion by governments was a prime goal of most nations’ trade policies. And building markets around the world were priorities for many companies.

Today the primary focus for many governments and companies has changed. Exports remain important, of course, but for most the major policy challenge has shifted. Now they are ensuring supply reliability, building reserve stockpiles of key items, attempting to predict and plan for  supply disruptions, and diversifying procurement through sourcing in many countries, including a greater emphasis on localization or regionalization, or what some refer to as “friend-shoring,” as opposed to relying on adversaries. This is particularly true for critical technologies, but also includes such things as building supplies, medical equipment and medicines, energy, minerals and other raw materials. Corporate strategies related to procurement and supply availability loom large in board rooms, and government supply resilience is becoming more important for economic and national security reasons. 

This is the result of cumulative events. Supply-related concerns started in earnest in 1973, when the OPEC oil embargo forced the U.S. to recognize that a product once believed to be abundant and widely available was cut off by countries that the U.S. had considered politically and economically reliable. This was one of those seemingly low-probability but high-impact events for which the U.S. had not planned. That led to the creation of the International Energy Agency to enable countries to plan for and react to such events, largely through building oil stockpiles. But after that, a diplomatic process that satisfied the major oil exporters ended the embargo and attention to supply cutoffs diminished in Washington and other capitals.

The supply issue has required more attention lately because of several factors. First, the U.S. has become increasingly concerned about its dependence on China for critical products.  

During the height of the pandemic, numerous Chinese factories were closed and many products on which Americans relied were unavailable or faced long delivery delays. We are again seeing this because of shutdowns in Shanghai.

Even before the pandemic, the U.S. imposed higher tariffs on many Chinese products to force Beijing to change its trade policy, strengthen intellectual property and trade secrets protection, and further open its markets. Human rights and security-related issues in China also entered the equation. The tariffs raised prices in the U.S. for many Chinese goods, forcing U.S. companies to seek other foreign or domestic suppliers. Both turned out to be tricky tasks; many of the U.S.-China supply lines had functioned for decades and finding substitutes for China’s efficient factories and transportation infrastructure proved costly and difficult.  

U.S. export restrictions on China also were imposed when Washington became more concerned that certain American-made items could enhance the capability of China’s military or boost Chinese technological strength. Restrictions on the export of certain American technology — and other items — led China to move quickly to produce such items at home or find sources elsewhere to avoid reliance on restricted American items. And Washington pressed its allies not to buy certain Chinese technology that could compromise domestic communications systems, or to sell technology that could augment Beijing’s military or technological capabilities. What started as a trade war became increasingly a technology-related conflict.  

Russia’s devastating attack on Ukraine has upped the utilization of trade restrictions on Russian products and all but destroyed certain trade relationships. In what some have referred to as the “mother of all sanctions,” virtually all U.S. trade and, except for oil and gas, most Western trade with Russia has been suspended. Russia is hardly a major trading partner for the U.S., but it is for Europe. And sanctions have cut down or eliminated the availability of some products for Russia’s major European trading partners and some American ones. 

Suggestions for further tightening Western sanctions are on the table. But the trade disruption goes further. Russia is not simply an oil and gas exporter; it sells a lot of minerals around the world. In addition, Ukraine is a large food supplier. The war has cut into its exports of wheat, corn and barley, which are staples to many countries. And sizable amounts of fertilizers originate from Russia and Belarus. This has put significant pressure on world food prices, adding to rising inflation in the U.S. and other countries. The pain is particularly being felt in North Africa and the Middle East (especially Egypt), and prospects for social unrest are growing.

The war will prevent Ukrainian farmers from planting this spring, portending a further increase in world prices down the road. It will extend to much of Europe and the U.S. The price increase in U.S. fertilizers is compounded by duties placed on imports of Russian fertilizers to this country due to a previous trade dispute. Questions are being raised about how America could become so dependent on Russian fertilizer in the first place, and how Europe could become so dependent on Russian energy. But that was a different era — and new thinking is taking place about severing such supply links in the future.

These are not the only Russian items we rely on. We are used to thinking of Russia as only an oil, gas and food exporter. But various countries depend on Russian coal, iron and steel. While replacements of some of these items exist around the world, there are likely to be temporary price bumps. Not so easy with nickel, which is essential in batteries, gas turbines and pipes. Russia is the world’s largest exporter of this mineral — more than double the exports of Canada and Australia. It is the second largest exporter of platinum and palladium; many industries rely heavily on both. The beleaguered semiconductor industry especially depends on palladium.  

All told, the narrative of the past — that just-in-time deliveries, reliance on the cheapest sources without much attention to reliability, the lack of the need for stockpiles to address emergencies or disruptions — is likely to give way to a far greater focus on reliability of sources and who are the most trusted suppliers of critical technology and other items; the need for strategic reserves; and less preoccupation on just-in-time deliveries without also weighing source reliability.

Just as happened after the 1973 oil embargo, the U.S. and its allies and friends must work out a strategy among themselves and with other nations that are vulnerable to cutoffs — whether because of wars, pandemics or political leverage. Corporations will need to place greater emphasis on their procurement policies, emphasizing strategic supply and procurement management, diversity, resilience and reliability of critical items. These factors, taken together, will become central elements in the emerging post-COVID, post-Ukraine war and more ideologically and geopolitically divided world economic order.

Robert Hormats is managing director of Tiedemann Advisors, a New York-headquartered financial firm. He was undersecretary of State for economic growth, energy and the environment, 2009-13; a senior official of Goldman Sachs from 1982-2009; assistant secretary of State, 1981-82, and a former ambassador and deputy U.S. trade representative, 1979-81. As senior economics adviser to three White House national security advisers from 1969 to 1977, he helped to oversee the U.S. opening to China. Follow him on Twitter @BobHormats.

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Editors’ Picks: 9 Events for Your Art Calendar This Week, From a Talk on Eric Adams’s Arts Priorities to a Show by an Artist-Turned-Dragon

Nollywood Portraits: A Radical Beauty by Iké Udé. Published by Skira.

Each week, we search for the most exciting and thought-provoking shows, screenings, and events, both digitally and in-person in the New York area. See our picks from around the world below. (Times are all EST unless otherwise noted.)

 

Tuesday, February 8

Vikky Alexander. Photo by Peter Bellamy, courtesy of the Audain Art Museum, Whistler, Canada.

Vikky Alexander. Photo by Peter Bellamy, courtesy of the Audain Art Museum, Whistler, Canada.

1. “Tuesday Night Talks: Vikky Alexander” at the Audain Art Museum, Whistler, Canada

The Audain Art Museum kicks off season three of its virtual Tuesday Night Talks programming with Canada’s Vikky Alexander, whose piece Orange Ceiling (2010) was recently acquired by the institution. The photographer, sculptor, and installation artist will speak with director and chief curator Curtis Collins about her career—including her ties to the Vancouver School of photo-conceptualism as well as New York’s Pictures Generation—as well as how she finds inspiration in landscape, architecture, and design.

Price: Free with registration
Time: 11 p.m.

—Tanner West

 

 

Thursday, February 10

New York City Mayor Eric Adams in front of the Brooklyn Museum on Juneteenth Holiday, June 19, 2021, during his campang. Photo by John Lamparski/Getty Images.

New York City Mayor Eric Adams in front of the Brooklyn Museum on Juneteenth Holiday, June 19, 2021. Photo by John Lamparski/Getty Images.

2. “More or Less: Notes to Our Next Mayor, Culminating Panel” at More Art, New  York

Ahead of last year’s mayoral election, social justice-minded public art nonprofit More Art hosted a three-part conversation series about what New York City residents need most—namely, food, shelter, and healthcare. Those discussions have been condensed into an open letter of demands from artists, activists, and community members to new Mayor Eric Adams’s administration. The moderators of the three discussions, artists Candace Thompson, Betty Yu, and Jeff Kasper, will return to talk about the intersection of art and activism, the contents of the letter, how it hopes to ensure all New Yorkers have guaranteed access to food, healthcare, and housing.

Price: Free with registration
Time: 7 p.m.–8:30 p.m.

—Sarah Cascone

 

Thursday, February 10–Saturday, March 12

Suchitra Mattai, Fitting In, 2022 Courtesy of Hollis Taggart

3. “Suchitra Mattai: Herself as Another” at Hollis Taggart

Suchitra Mattai is a Guyanese artist who uses imagery from her Indian heritage to comment on colonialism and patriarchy. In her solo show at Hollis Taggart, Mattai presents mixed-media paintings, sculptures, and installations to explore the theme of “othering.” The artist used The Ashgate Research Companion to Monsters and the Monstrous as the main source for her research into folklore monsters, tales that reflect the taboos and stereotypes often applied to those denied power. Through the works in this show, Mattai creates “a space to confront these misunderstandings… and to reflect on the experience and perspective of the ‘other’ as a means of fostering empathy and connection,” the gallery states.

Location: Hollis Taggart, 521 West 26th Street, 1st Floor, New York
Price: Free
Time: Opening reception, Thursday, 6 p.m.–8 p.m.; Tuesday–Saturday, 11 a.m.–5 p.m.

—Neha Jambhekar

 

Thursday, February 10–Saturday, March 19

Asif Hoque, Music of the sun Courtesy of Yossi Milo Gallery

4. “Asif Hoque: Before Sunrise” at Yossi Milo Gallery, New York

“Before Sunrise” is the first solo exhibition of New York-based Bangladeshi artist Asif Hoque. Born in Rome, Hoque moved to Florida at a young age with his family. The title of the exhibition alludes to early morning beach visits he took with his brother during his trips home, where the changing light greatly inspired the works shown here. Hoque’s new work builds on previous imagery of deified brown male and female figures, lions, and vases with the addition of a dynamic new form, the Bengal tiger, and a softening of the surface inspired by Rubens’ sfumato technique.

Location: Yossi Milo Gallery, 245 Tenth Avenue, New York
Price: Free
Time: Opening reception, Thursday, 6 p.m.–8 p.m.; Tuesday–Saturday, 10 a.m.–6 p.m.

—Neha Jambhekar

 

Friday, February 11

Iké Udé, Nollywood in Focus, still image.

Iké Udé, Nollywood in Focus, still image.

5. “African Is Beautiful” at the Smithsonian National Museum of African Art, Washington, D.C.

Following a virtual screening of portrait photographer and artist Iké Udé’s new film, Nollywood in Focus, about the Nigerian film scene, Touria El Glaoui, founding director of 1:54 Contemporary Art Fair, will moderate a discussion with Udé and industry insiders Eku Edewor, Alexx Ekubo, Enyinna Nwigwe, and Joke Silva. They’ll consider such topics as beauty, self-love, and the power of art.

Price: Free with registration
Time: 12 p.m.–6 p.m.

—Nan Stewert

Friday, February 11–Sunday, April 10

Carlos Motta and Tiamat Legion Medusa, <em>When I Leave This World</em> (2022), still. Courtesy of the artist, P.P.O.W. Gallery, and OCDChinatown.

Carlos Motta and Tiamat Legion Medusa, When I Leave This World (2022), still. Courtesy of the artist, P.P.O.W. Gallery, and OCDChinatown.

6. “Carlos Motta and Tiamat Legion Medusa: When I Leave This World” at OCD Chinatown, New York

Performance and body-modification artist Tiamat Legion Medusa has collaborated with artist Carlos Motta on a new two-channel video installation documenting Medusa’s transition from male to female to reptile. (The end goal of the artist, who goes by it pronouns, is to become a dragon.) Medusa, who explains in one of the videos how childhood abandonment and assault inspired it to reject its own humanity, bills itself as “interspecies and the most body-modified transexual in the world.”

Location: OCD Chinatown, 75 East Broadway NYC
Price: Free
Time: Opening reception,  6 p.m.–8 p.m.; Saturday and Sunday, 12 p.m.–6 p.m. or by appointment

Sarah Cascone

 

 

Saturday, February 12–Sunday, January 8, 2023

Chris Schanck, <em>Banglatown</em> (2018). Photo by Michelle and Chris Gerard, courtesy the artist and Friedman Benda, New York.

Chris Schanck, Banglatown (2018). Photo by Michelle and Chris Gerard, courtesy the artist and Friedman Benda, New York.

7. “Chris Schanck: Off-World” at the Museum of Arts and Design, New York

Chris Schanck’s work exists at the boundary between sculpture and furniture, straddling the line between art and design with chairs, lighting, and other functional objects produced in his Detroit studio with the assistance of local Bangladeshi craftspeople. Schanck’s forms recall objects from nature, like coral reefs, but also suggest an otherworldly, extraterrestrial origin, at times futuristic, other times reminiscent of ancient civilizations.

Location: Museum of Arts and Design, 2 Columbus Circle, New York
Price: Free
Time: Tuesday–Sunday, 10 a.m.–6 p.m..

—Sarah Cascone

 

Sunday, February 13

Alex Strada and Tali Keren, <em>Proposal for a 28th Amendment? Is it Possible to Amend an Unequal System?</em> in "Year of Uncertainty (YoU) — Phase I: Participate & Build." Photo by Zynab Cewalam, courtesy of the Queens Museum.

Alex Strada and Tali Keren, Proposal for a 28th Amendment? Is it Possible to Amend an Unequal System? in “Year of Uncertainty (YoU) — Phase I: Participate & Build.” Photo by Zynab Cewalam, courtesy of the Queens Museum.

8. “Defending Our Bodily Autonomy in a Broken System” at the Queens Museum

Artists Alex Strada and Tali Keren’s participatory installation, Proposal for a 28th Amendment? Is it Possible to Amend an Unequal System?, on view in “Year of Uncertainty (YoU) — Phase III: Synthesize and Reflect” (through February 13) will serve as the stage for programming addressing the ways in which many Black, Indigenous, and other people of color face reproductive and gender-based oppression. A presentation by CUNY Law professor Cynthia Soohoo will discuss the inadequacies of legal protection for reproductive rights, the likely overturn of Roe v. Wade, and how we can ensure reproductive justice for all. A hands-on self-defense workshop, led by Deena Hadhoud of Malikah, will follow.

Location: Queens Museum, Flushing Meadows Corona Park, Meridian Road, Queens
Price: Free with registration
Time: 1 p.m.–3:30 p.m.

—Sarah Cascone

 

Through March 19

Lucia Love, <I>BDW</I>, 2021

Lucia Love, BDW, 2021. Courtesy JDJ and the artist.

9. “Lucia Love: Angel At The Wheel” at JDJ Tribeca

The new show of paintings by Lucia Love at JDJ World’s recently opened location in Tribeca see the artist taking a darker, more cynical turn. Love’s surrealist and often figurative paintings are inspired by fraught political situations, and she does not seem to think things have gotten much better since her last show with the gallery in 2020. As fellow artist Emily Mae Smith wrote in the press release for the show, “The figures in Love’s paintings are amalgamated bodies, often balancing on impossible podiums or floating in broken geometries that defy perspectival logic. Love captures the instability of moral ground in our time of global peril.”

Location: JDJ Tribeca, 373 Broadway B11
Price: Free
Time: Tuesday–Saturday, 12 p.m.–6 p.m.

—Annie Armstrong

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