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Live Music Restart Program – Festivals & Events

Rocking the suburbs with new music events

The program aims to support the re-establishment of Victoria’s position as a world-leading state for contemporary music through:

Priority will be given to supporting live music festivals and events that will most significantly support Victoria musicians and communities, contribute to rebuilding of the creative and commercial capacity of the Victorian contemporary live music industry.

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Key dates

Round opened: 21 July 2022
Round closed: 3pm, 18 August 2022

For activities commencing from 1 December 2022.  Funding results will be available before November 2022.

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Funding available

Presenting organisers of large, complex live music events and festivals are invited to apply for grants of between $250,000 and $1,000,000 to support the cost of planning and delivery of a single live music festival or event; or a series of live music festivals or events featuring contemporary live music in Victoria intended to have a capacity of at least 3000 in-person attendees.

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Notification of funding outcomes

Funding recommendations are subject to approval by the Minister for Creative Industries.

Any application feedback is provided at Creative Victoria’s discretion and may not be available at the time of notification of funding outcome.

There is high a level of demand for Creative Victoria funding and so applicants are advised:

  • to plan for contingencies if their application is unsuccessful (e.g., other funding sources); and
  • against entering commitments based on any assumption that they will receive funding, before receiving written notification of their final funding outcome.

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Payment of Grants

The payment of program funding will be conditional upon the grant recipient meeting its obligations under a funding agreement between DJPR and the recipient, including fulfilling any payment milestone outcomes or deliverables set out in the funding agreement.

Please refer to the Program Guidelines below for the full eligibility criteria.

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Who can apply

The Live Music Restart Program – Festivals & Events is open to experienced organisers of contemporary live music festivals and events in Victoria.

Applicants must demonstrate delivery of at least two live music festivals or events within Victoria at any time in the period between January 2017 to present, each with:

  • an in-person attendance greater than 3,000 people; and
  • a sound revenue generating model.

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Applications Opening Soon

Applications will be accepted from the opening date on this webpage . Applications submitted after the closing date will not be accepted.

The Live Music Restart Program – Festivals & Events program applications are submitted via the Department of Jobs, Precincts and Regions Grants Portal.

General information on how to access the Grants Portal, including how to register and FAQ about the Grants Portal, can be found here.

  • START APPLICATION HERE – Opening Soon!

If you wish to work on DRAFTS, or see your SAVED APPLICATIONS, please click here to return to the Grants Portal.

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Links and downloads

Guidelines

Tools

Who to talk to

Email Emma Ciolli via emma.ciolli@creative.vic.gov.au or phone on 03 9623 1255.

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WATCH NOW: Kenosha Opera Festival hosting public events

WATCH NOW: Kenosha Opera Festival hosting public events

The Kenosha Opera Festival, launched in the fall of 2019, is back in a big way this season, with two operas, a recital and even a night of bawdy songs at a local brewery.

All of that activity continues the mission of the opera festival’s founders, Nicholas Huff and Kaila Bingen, to “unstuff” opera.

“It’s been going great,” Huff said of their efforts to bring opera to the general public.

“We’ve got more ways to move that ball down the court this year,” he said, “including a Kenosha Opera Festival app with games on it.”

The app — developed by Bingen’s husband, Rick, a computer science professor at Carthage College — is free to download and features opera “fun facts” and games. (When we talked, the app was only available on Android systems.)

“We’ll be playing games on the app during intermission of ‘The Barber of Seville’ with the audience,” Huff said. “It makes the opera fun and energized, not snobbish, which is what we’re all about.” As a bonus: There will be prizes awarded during those “Barber” intermission games.

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Fellowship program

The Kenosha Opera Festival features four young members in the troupe’s fellowship program — two singers and a pianist.

“We’re proud that our program is completely free for these college-age students to attend,” Huff said.

The fellowship program includes workshops on singing, of course, but also offers practical guidance on such topics as how to file your taxes if you’re a freelance performer and how to use social media.

The “fellows” will be performing an opera, “Orfeo ed Euridice” (“Orpheus and Euridice”), based on the Greek myth.

In the story, Orpheus is promised that he may enter Hades and retrieve his wife, Euridice, from death on one condition: he may not look back to see if she is there for the entire journey from the underworld back to the land of the living.

The opera, composed by Christoph Willibald Gluck, was first performed in Vienna on Oct. 5, 1762.

The opera is the most popular of Gluck’s works.

“It’s a full-length opera but is a short show,” Bingen said, adding that while the story is based on the classic Greek story “this version isn’t quite so tragic. We can’t leave everyone sad walking out of the theater.”

Note: The opera will be presented in Italian with English supertitles. This is a black-box production, accompanied by piano.

‘Barber of Seville’

This season’s main production is “The Barber of Seville,” Gioachino Rossini’s comedy, which premiered in 1816 and has remained popular ever since.

“It’s one of the most fun operas ever written,” Huff said. “Also, people kind of know this one — from the ‘figaro, figaro, figaro’ singing and some of the familiar arias in it.”

Audiences, he said, “should enjoy it because it is somewhat familar — and it’s just a hoot.”

The cast features this season’s six guest artists — who are coming to Kenosha from New York, Cincinnati, the Chicago area, Florida, Portland, Ore., and even from South Korea.

“We reached out in the opera world and received a lot of interest from all over,” Huff said of casting this year’s production.

The cast, he added, “are all great singers — real bangers.”

This opera — a frantic comedy about, yes, a barber in the city of Seville — features the classic opera plot devices of romantic pursuit, false identities and disguises.

“The show is filled with big personalities,” Bingen said. “All the cast members get to go really big on stage. The vocal fireworks will blow your hair back.”

Note: The opera will be presented in Italian with English supertitles, accompanied by an orchestra.

Guest artist recital

Before they perform on stage in the opera, those guest artists — Heeseung Chae, Max Hosmer, Edith Grossman, Stacey Murdock, Alex Boyd and Janese Pentico — will perform in a Friday night recital at First United Methodist Church, 919 60th St.

“This is a great opportunity to get up close and personal with this group of singers,” Bingen said. “The recital features a fantastic set list, and the church is a wonderful setting for the concert.”

The recital will feature “a teaser” for “The Barber of Seville,” along with songs from musical theater, plus a Mozart set and “Easter eggs” — arias that are routinely cut from operas.

“There will be opera and non-opera pieces, and music from all genres and from all periods,” Huff said.

Overall, the two are happy with the audience response to the opera festival’s productions and other events.

“We’re building up momentum, with everything from our YouTube Channel to our live productions,” Bingen said.

Huff added that our little local opera group is also “becoming more well-known in the opera world. That’s very exciting.”

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Impact of chronic hepatitis on cardiovascular events among type 2 diabetes patients in Taiwan pay-for-performance program – Scientific Reports

Research subjects

Patients with T2DM who joined the P4P from 2008 to 2010 were enrolled. Patients with a confirmed diagnosis of T2DM were defined as those who were hospitalized at least once or came in for outpatient visits at least three times within 1 year and had a primary or secondary diagnosis International Classification of Diseases (ICD) code “250,” “250.00,” or “250.02”38,39. Among them, patients with type 1 DM “250.x1” * or “250.x3;” gestational DM “648.0” or “648.8;” neonatal DM “775.1;” abnormal glucose tolerance test “790.2;” age < 20 years or > 100 years; and those who died within 1 year of joining P4P were excluded. Finally, 283,793 patients were included (Fig. 1). Based on the status of comorbid chronic hepatitis at enrollment, the patients were divided into four groups: no comorbid chronic hepatitis, named as “No chronic hepatitis”; comorbid liver B, named as “Hepatitis B” group; comorbid liver, named as “Hepatitis C” group; patients without viral hepatitis and with comorbid fatty liver were named as the “Fatty liver disease” group and were followed-up until the end of 2017. The “no comorbid chronic hepatitis” group was used as the reference group to analyze the correlation between different types of chronic hepatitis and the risk of cardiovascular disease.

Figure 1
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Flowchart for study subject selection. DM diabetes mellitus, P4P pay-for-performance, HBV hepatitis B virus, HCV hepatitis C virus.

Ethics statements

The National Health Insurance Research Database (NHIRD) is derived from Taiwan’s mandatory National Health Insurance program was established by the National Health Insurance Administration Ministry of Health and Welfare and maintained by the National Health Research Institute (NHRI). The patient identifications in the National Health Insurance Research Database have been scrambled and de-identified by the Taiwan government, and the database is commonly used for different types of research such as in medical, and public health fields. Thus, informed consent was waived by the Research Ethics Committee of the China Medical University, and the study protocol was approved by the research ethics committee of China Medical University and Hospital (IRB number: CMUH106-REC3-153) and was conducted in accordance with the principles of the Declaration of Helsinki.

Data sources

This retrospective cohort study analyzed data from the National Health Insurance Research Database of the “Applied Health Research Data Integration Service from National Health Insurance Administration”. The data included outpatient prescriptions and treatments, outpatient prescriptions and medical orders, inpatient medical expense lists, inpatient medical expense and medical order lists, insurance details of persons, major injury and illness, medical institution master files, diagnosis, and P4P education records.

Definitions of variables

Hepatitis B: Those with ICD-9 070.2, 070.20, 070.21, 070.22, 070.23, 070.3070.31, 070.32, or 070.33 or ICD-10 B16, B17.0, B18.0, B18.1, or B19.1 as the primary and secondary diagnosis during two outpatient visits or one hospitalization within 365 days of study enrollment.

Hepatitis C: Those with ICD-9 070.41, 070.44, 070.51, or V02.62 or ICD-10 B17.10, B17.11, B18.2, B19.20, B19.21, or Z22.52 as the primary and secondary diagnosis during two outpatient visits or one hospitalization within 365 days of study enrollment.

NAFLD: Those with ICD-9 571.8, 571.9, or ICD-10 K74.4, K74.5, K74.60, K74.69, K76.0, K76.9, etc. as the primary and secondary diagnosis during two outpatient visits or one hospitalization within 365 days of study enrollment, and without the occurrence of a hepatitis B or C code, for whom the first hospital visit within 365 days was defined as the date of diagnosis. Patients with concurrent viral hepatitis and NAFLD were classified as having viral hepatitis.

Age-based categorization included 20–39, 40–54, 55–64, 65–74, and ≥ 75 years age groups. Monthly salary was divided into five grades, namely ≤ NTD 17,280, NTD 17,281–22,800, NTD 22,801–36,300, NTD 36,301–45,800, and ≥ NTD 45,801. Charlson comorbidity index was divided into 0, 1, 2, and ≥ 3 after excluding scores correlated with independent or dependent variables40.

The diabetes complications severity index (DCSI) was scored as 0, 1, and ≥ 2 points. The DCSI was calculated based on the classification and scoring method proposed by Young et al. If the patient had no complication, the score would be 0; for each complication, 1 point would be added; if the complication was serious, 2 points would be added. Based on this calculation method, the maximum score was 13 points41.

Cardiovascular disease: Those with ICD-9 398.91, 402.xx, 404.xx, 410.xx–414.xx, 422.xx, 425.xx or 428.xx, or ICD-10 I09.81, I11, I13, I20–I22, I24, I25, I40–I43, I50, R09.89, etc. as the primary and secondary diagnosis during two outpatient visits or one hospitalization within 365 days of study enrollment42.

Calculation of the coefficient of variation (CV% = standard deviation/mean) of HbA1c and fasting blood glucose: All measurements in the first year were used, and if the measurements were taken less than four times in the first year, measurements taken up to the second year were included. If measurements were taken less than four times in the 2 years, the patient would be excluded.

Adjusted CV = CV/√ (n/n − 1): When the examination data were limited, the examination times would affect the result of the CV. In this case, a relatively correct result of the CV with a reduced effect of the examination times could be obtained by correcting the examination times.

Analytical methods

Descriptive and inferential statistics were carried out according to the research objectives and framework. All research tests were based on a significance level of α = 0.05, and all statistical analyses were conducted using SAS software for Windows, version 9.4 (SAS Institute Inc., Cary, NC, USA). Descriptive statistics such as frequency, percentage, average, and standard deviation were used to describe the dependent and independent variables to be investigated in this study. This study adopted descriptive statistics to present the demographic characteristics, status of comorbidities, blood biochemical indicators, health status, economic factors, and medical care provider characteristics of patients with diabetes. The incidence of cardiovascular disease in patients with T2DM with chronic hepatitis per 1000 person-years was tested using univariate Poisson regression. The relative risks of cardiovascular disease in the four groups were calculated using a Cox proportional hazards model.

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Queer Field Trip is a new Vernon Family Resource Centre Pride Month program – Vernon News

Queer Field Trip is a new Vernon Family Resource Centre Pride Month program - Vernon News

New queer event

The Vernon Family Resource Centre is marking Pride Month with a new event.

June is Pride Month in Canada and the Queer Field Trip is the brainchild of the Vernon Family Resource Centre’s returning summer student Sara Goddu.

Queer Field Trip is a drop-in group that introduces people ages 13-18 to queer-friendly and inclusive spaces in Vernon. Those interested can follow @queerfieldtrip on Instagram and get in touch through direct messaging.

The group is free and does not require registration, just be at the right place at the right time.

“We believe that everyone should have access to places where they feel safe, seen, respected and represented. We want to introduce you to those places,” said Goddu.

The inaugural Queer Field Trip welcomed more than 15 attendees. The next event is planned for mid-July, with details posted to the Queer Field Trip Instagram page.

The VFRC is also re-launching Queer Family Game Night — an event founded prior to the COVID-19 pandemic that will now return this summer.

The event welcomes adults, families and allies to enjoy an evening of games and conversation. The drop-in event takes place every third Thursday of the month from 7 to 9 p.m. at the Boarding House Cafe, 3101 B 31 Ave.

The VFRC is also sharing resources and information on the history of Pride Month, topics relating to the LGBTQ+ community and how best to be an ally.

The VFRC is a charitable, non-profit with the mission of “building a resilient community by empowering one child, one individual, one family at a time.”

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Philly Launching Free COVID Test Program for Special Events

Philly Launching Free COVID Test Program for Special Events

NBC10 is one of dozens of news organizations producing BROKE in Philly, a collaborative reporting project on solutions to poverty and the city’s push toward economic justice. Follow us at @BrokeInPhilly.

Philadelphia is looking to stop super spreader events before they start by giving out COVID-19 tests in bulk to anyone planning a special event.

The city is now offering free rapid test kits to organizers of all sorts of events: from proms and graduations to funerals and weddings. They’ll get two at-home tests for each guest if they’re approved: one test to take before attending the event and the other to take afterward.

Organizers are urged to apply as soon as possible because it may take up to two weeks to review applications and distribute tests, the health department noted. If applications are approved, organizers will need to distribute the tests in the manner described in their application.

The department said it has at least 20,000 tests available for the program and may allocate more depending on how successful the program is.

Test distribution will be prioritized for events that are either in areas of Philadelphia that have suffered disproportionately from COVID, have a high number of people who are at higher risk for severe infection, or present a high risk for COVID-19 transmission, the department said.

Event organizers are asked to apply online. You can find the application here.

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Sarnia summer events program starting back up – The Sarnia Journal

Sarnia summer events program starting back up - The Sarnia Journal
The Summer Outdoor Concert Series is returning to parks and pavilions across the city this year. In this file photo, Monique D’Arcy performs a Disney tune in Germain Park Gardens.
Glenn Ogilvie Photo

Journal Staff

Sarnia’s popular Summer Events Program is returning this year with a lineup of free, family-friendly events from June to August. Main events include:

* Summer Outdoor Concert Series (June 7 – Aug. 25) – live music at various locations Monday to Thursday, including Canatara Park, Seaway Kiwanis Pavilion, Centennial Park, Suncor Agora, Kenwick Park Gazebo, Germain Park Garden and Paul Blundy Park.

* Kids Funfest (June 11) – showcases of child and family-oriented organizations and services, with games, interactive activities and more.

* Queen’s Platinum Jubilee Garden Party (June 4) – a garden party hosted by the Sarnia Historical Society and the City, at Germain Park. Pre-registration required.

* Community Better Challenge (June 1-30) – a competition rewarding Canada’s Most Active Community with $100,000 towards physical activity initiatives, led by the ParticipACTION organization.

For more, visit https://www.sarnia.ca/play/city-signature-events/

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Sponsored post: NextGen events: rebooting your program in 2022

Sponsored post: NextGen events: rebooting your program in 2022

If you haven’t noticed, the events industry has undergone a dramatic makeover. This isn’t a negative, think of it more as a glow-up, powered by ingenuity and technology. As multiple industries and organizations settle into the new normal of hybrid workspaces, events have also gone hybrid. While borne out of necessity, the benefits of virtual and hybrid experiences are too numerous to abandon. 

The simple fact is, event attendees have become accustomed to convenience, high production values, and greater engagement in virtual settings. This goes for conferences, meetings, trade shows, and even webinars. A new bar has been set. 

Virtual and hybrid events are here for good, but event leaders and marketers are still on the learning curve. 

In the just-released CMO Council report, some key findings from their research include:

  • 60% say restarting in-person/hybrid events is very important, even critical 
  • 65% say learnings over the last two years will lead to a holistic view of events that are better aligned to marketing outcomes 
  • 71% of marketers are experimenting with new event formats

While there are some signs of virtual-event fatigue, CMOs surveyed in the study understand that digital experiences will continue to play an important role in the NextGen event channel. In fact, 20% of marketing leaders indicate that virtual events continue to deliver tremendous, at times unprecedented, reach. As audiences become more comfortable with virtual as an option, this is a positive for event leaders.  

“When it comes to the top of the funnel and you want to reach more people, digital events will stick around,” says one of the report’s CMOs surveyed. “The ratio of digital to live will be skewed toward digital, because digital has proven it will get you those numbers.” 

Yet, after nearly two years of virtual-only events, marketers are champing at the bit to restart in-person events. While virtual events are more about brand reach, in-person events are about nurturing customer relationships that result in higher conversion rates. 60% of  marketers say it’s very important, even critical, to restart in-person events. 

One of the more significant insights found in the CMO Council report was the shift in ownership of the events programs in many organizations. In the survey, 57% of marketers now say events are owned and managed by marketing, orchestrated across their organizations and aligned to a holistic marketing plan. Plus, 65% believe event marketing will continue to mature to include a comprehensive view of all events that are better aligned to marketing outcomes. 

Some of this new cooperation between planning teams and marketers can be attributed to the working conditions many professionals experienced in the past couple of years. With workforces moving to virtual environments and collaborating online, the necessity of connections to drive business became imperative. For instance, one large company surveyed indicated event planners created a global communications calendar where everyone involved in events could coordinate with each other. This led to synergy and efficiency in event and content management.  

While the NextGen events are upon us, there still are plenty of unknowns. Which event formats (in-person, virtual, hybrid) best match which event types (conferences, seminars, trainings)? What digital components and content produce a more immersive attendee experience? Which event activities lead to attendee satisfaction, higher engagement rates, and lead volume and conversion? 

The answers to many of these questions lie in testing and experimentation. 71% surveyed in the report said they plan to trial new event formats, agendas or designs. 2022 looks to be a year of learning. 

“In 2022, we’re going to be testing and learning about different event types and technology to see what’s working and to track how we’re doing,” a CMO stated. “We need to be smarter in the formulation of ROI.” 

With so much uncertainty, it has become even more important than ever for organizations to have a clear understanding of all the events happening in their portfolio in order to gain complete control and a clear picture of their total event program. Including what’s happening now and what lies ahead. In order to capture the right event data and quickly activate it for sales and marketing teams a comprehensive event platform capable of handling all event formats and that integrates into your existing tech stack will be key.

To dive deeper into these insights, we encourage you to download a free copy of the new CMO council report, “Aligning Strategy, Teams and Tech for Success in a New Era of Events.”

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EARTH DAY: Cleanups, events, festival fill the April calendar

EARTH DAY: Cleanups, events, festival fill the April calendar

EARTH DAY: Cleanups, events, festival fill the April calendar  The Salem News