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Queensryche set to rocks Univest, ‘Cabaret’ returns to movie theaters [Events roundup]

Queensryche set to rocks Univest, ‘Cabaret’ returns to movie theaters [Events roundup]

The following events are planned for the week ahead throughout the region:

• The Sounds of Summer Concert Series at Univest Performance Center, Quakertown, continues with the double bill of Queensrÿche and special guest Great White on Friday at 7 p.m. Queensrÿche burst onto the music scene in 1982 with the release of their self-titled four song EP “Queensrÿche.” They very quickly gained international recognition and performed to sold-out audiences around the world. In 1988, the band turned out the monumental album “Operation: Mindcrime,” which would go on to become one of the top 10 best-selling concepts records of all time, and set the stage for continued sold-out performances around the world. With the release of the critically acclaimed and commercially successful “Empire” in 1991, the band earned multiple Grammy Award nominations and won the MTV Viewers Choice award for the chart-topping hit “Silent Lucidity.” Great White has an impressive arsenal of songs including Grammy-nominated Best Hard Rock Performance hit “Once Bitten, Twice Shy” as well as “Rock Me,” “Mista Bone,” “Save Your Love,” “House of Broken Love” and “Lady Red Light.”  The Univest Performance Center is an all weather venue with outdoor seating. Tickets start at $35 at quakertown.org.

• Berks Arts will continue its Bandshell Concert Series on Friday with blues guitarist and singer-songwriter Albert Cummings and his trio, bassist Scot Sutherland and drummer Warren Grant, performing at 7 p.m. at Reading’s City Park Bandshell. During the pandemic, Cummings recorded his 10th album, “TEN,” with renowned Nashville producer Chuck Ainlay. One of the 13 original cuts, “Last Call,” features country superstar Vince Gill singing harmony with Cummings. Since its release in April, Cummings has been receiving not only rave reviews and an increase in bookings, but plenty of interest from guitar magazines who want interviews. He released his first album, “From the Heart,” in 2003; his breakthrough album was “Working Man” in 2006. His album “Believe” was released in early 2020 after being recorded in the legendary FAME studio in Muscle Shoals, Ala. His performance will be preceded by a presentation from a local musical organization beginning at 6 p.m. Families are encouraged to bring blankets and lawn chairs. Food vendors will be available on-site. For more information, visit www.berksarts.org.

Liza Minelli and Joel Grey in "Cabaret," which will be screened in select theaters Sunday and Wednesday to celebrate its 50th anniversary.
Liza Minelli and Joel Grey in “Cabaret,” which will be screened in select theaters Sunday and Wednesday to celebrate its 50th anniversary.

• Fathom Events presents 50th anniversary screenings of “Cabaret” on Sunday and Wednesday in select theaters. This blockbuster film version of the Broadway musical is set in Berlin in 1931, as Nazism rises in Germany. Flamboyant American Sally Bowles (Liza Minnelli) sings in a decadent nightclub and falls in love with a British language teacher (Michael York), whom she shares with a homosexual German baron. But Sally’s cabaret world is about to be crushed under the boot of the Nazis as Berlin becomes a trap from which Sally’s German friends will not escape. The film won eight Oscars, including best actress in a leading role (Minnelli), best director (Bob Fosse) and best actor in a supporting role (Joel Grey). For participating theaters, showtimes, tickets and more information, visit fathomevents.com.

• The Bryn Mawr Twilight Concert Series presents the Jimmy Vivino Band with opener Jackson Taylor on Saturday at 7 p.m. at Bryn Mawr Gazebo Park. The Fab Faux bandleader, Vivino (aka Jimmy V) has always considered himself “a blues man with a job.” Although best known for serving 26 years as Conan O’Brien’s musical director, guitarist and bandleader, his experience in the music business predates that by 20-plus years. He has produced, led bands and recorded with a countless number of rock and roll and blues artists for five decades, including the likes of Hubert Sumlin, Warren Haynes, Bob Weir, Keith Richards and Elvis Costello, to name a few. The concert is rain or shine, and tickets cost $15 for ages 13 and older at brynmawrtwilightconcerts.com.

• The County of Chester and West Whiteland Township will be hosting a Community Day Celebration at Exton Park on Saturday from 4 to 10 p.m. The event will feature live music, food truck vendors, kids activities, a vendor fair, a touch-a-truck area and fireworks. Admission is free, with free parking at the Valley Creek Corporate Center, one-quarter mile from the event. Handicap parking is located off of Church Farm Lane. Rain date is Sunday.

• Pennypacker Mills historic site, Schwenksville, will present a Porch Performance titled “Fire in the Hole” on Saturday from 4 to 5 p.m. Historian Rich Pawling will share the experiences of men like Irish miner Frank Kehoe, who performed back-breaking work in the coal mines of Pennsylvania during the Industrial Revolution. Learn what it was like to work in the “patch,” shop in the company store and move up from breaker boy to a “miner with papers.” “Fire in the Hole” is a first-person performance with musical accompaniment. Guests are invited between 1 and 3:30 p.m. to walk the property and complete a treasure hunt activity or tour the Pennypacker mansion to see what life was like in the early 1900s.

• The Summer Concert Series at the Green Lane Park Amphitheater presents Hotlanta — The Allman Brothers Experience on Sunday from 6 to 8 p.m. Founded by Tad Isch, who has gone on to perform with Butch Trucks and other Allman Brothers musical family members, Hotlanta has performed in the tri-state area since its inception in 2008, playing all of the Allman Brother’s crowd favorites. The concert is all-ages and free to attend. Bring a lawn chair or blanket.

• The East Coast Reptile Expo returns to the Greater Philadelphia Expo Center at Oaks on Saturday from 9 a.m. to 4:30 p.m. in Hall C, and Greenberg’s Great Train and Toy Show runs Saturday and Sunday from 10 a.m. to 4 p.m. in Hall B. In addition, Ranger Station, the first all Power Ranger convention in the Philadelphia area, runs Saturday from 10 a.m. to 7 p.m. in Hall E. The reptile expo features vendors from across the country selling quality live reptiles, amphibians, arachnids, food items, supplies, books, cages and related accessories at discounted prices. Greenberg’s train shows are designed for the general public, modelers, hobbyists, families and the just plain curious. Each show features hundreds of tables of trains and accessories for sale, huge operating exhibits, activities for kids and more. All scales are welcome, as are books, videos and railroadiana. For tickets and more information, visit phillyexpocenter.com.

• The Keswick Theatre, Glenside, presents Howard Jones with Midge Ure, the voice of Ultravox, on Friday at 8 p.m., the Manhattan Transfer’s 50th anniversary concert on Saturday at 8 p.m., Dion on Sunday at 7:30 p.m. and Jon Anderson’s “Close to the Edge” 50th anniversary tour on Wednesday at 7:30 p.m. Anderson, the lead singer of Yes, will perform the “Close to the Edge” album in its entirety, along with other classic and suprises. For tickets and more information, visit keswicktheatre.com.

• The Reading Pride Celebration Festival will be held Sunday from 11 a.m. to 6 p.m. at Jim Dietrich Park, Muhlenberg Township. Headliners include Ada Vox (Rupaul’s queen of the universe), Bria & Chrissy (YouTube’s No. 1 singing lesbian duo) and One Up Duo (Kelly Clarkson’s favorite on “The Voice”), with returning bilingual emcee Jeannie Sol. There will be more than 100 vendors, 15 food trucks, three bars, a Pride children’s area and sober social space. Take along chairs and blankets for lawn seating. General admission is $7, and free for children 12 and younger. For more information, see readingpride.org.

 

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Blue Rodeo rocks Barrie’s Sadlon Arena in a return to live events

Blue Rodeo rocks Barrie's Sadlon Arena in a return to live events


Canadian rock band Blue Rodeo took the stage at Barrie’s Sadlon Arena Sunday night, celebrating a return to live events.


“It’s a great feeling to be back playing, and it’s a great feeling to have people come in and be comfortable,” says Blue Rodeo guitarist Jim Cuddy.


The concert was supposed to take place last year but was rescheduled due to COVID.


“There’s a certain amount of release from people that they’re finally out and they feel good and normal, and they’re sharing something with other people,” says Cuddy. “That’s one of the most acute things we learned, is how enjoyable it is to share these experiences,” says Cuddy.


This is the band’s 11th show this year.


Cuddy says it was an adjustment going back to performing live after doing virtual shows during the pandemic.


“We feel that additional energy from the audience because they haven’t, a lot of these people, it’s the first time they’ve been out in the public in this way for two years,” says Cuddy.


Meanwhile, several other in-person events in Barrie are set to return this summer.


Kempenfest will be back after a two-year hiatus due to COVID-19. The popular arts and crafts festival is vital for vendors and performers.


“For some of them, this is their show of the year,” says Kempenfest President Todd Tuckey. “They make all their wears throughout the year, and they come here, they sell out, and they take orders for the rest of the year to keep them going. So it’s a huge event for them. And of course for the city itself and the region, the economic spinoff is over 12 million dollars,” he adds.


The BIA says these live events are essentially a homecoming for businesses and a return to a well-balanced lifestyle for everyone.


“Businesses downtown are tired. They are frustrated because things keep changing, and I don’t blame them for being frustrated. At this point, they want less ebb and flow and more consistency,” says Barrie Councillor Sergio Morales.


As for Blue Rodeo, they will head to Peterborough Monday for their next stop on the Many a Mile Tour. They will continue touring the east coast until mid-April, and tour the west coast later this year. 

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From Waterloo to Pearl Harbor: How We Understand National Security Events – War on the Rocks

From Waterloo to Pearl Harbor: How We Understand National Security Events - War on the Rocks

Takuma Melber (translated by Nick Somers), Pearl Harbor: Japans Attack and Americas Entry into World War II (Polity Press, 2020).

 

Although there’s no shortage of hot takes and policy prognostications, it will be a long, long time before national security scholars can hope to derive enduring lessons about the start of the Russo-Ukrainian War. The historiography of major national security events unfolds as an evolving, multi-decade affair. The distance of time, growing availability of new sources, and interpretation of those sources advances and improves our understanding of such events — and reminds us of their complexity as we seek to learn enduring lessons from them. Though published eight decades after its subject, Takuma Melber’s history of Pearl Harbor is a useful contribution to our evolving understanding of the attack as an event and as a case study.

In the immediate aftermath of the Cuban Missile Crisis, the lesson that policymakers drew from the event as a case study seemed to be “firm resolve is the best approach.” After more became known, firm resolve was joined by “and hope you get lucky.” The Missile Crisis is an illustrative example of how historiography evolves following major events in national security. In its immediate aftermath, instant histories were limited largely to newspaper and magazine accounts. These were woefully incomplete compared with our modern understanding, not least because many details were either politically sensitive, formally classified, locked away in Soviet or Cuban files, or some combination of the three. Western accounts tended to repeat the official U.S. version of events: surprise Soviet aggression, determined U.S. response, Soviet capitulation. Correspondingly, lessons drawn from the crisis have shifted on the strength of new, more complete information. This was particularly true once more became known in the West about Soviet and Cuban leadership actions — and the presence of Soviet tactical nuclear weapons in and near Cuba. Robert Kennedy’s Thirteen Days claimed to offer the first truly comprehensive insider account of the political, military, and intelligence elements of the crisis just seven years on. Yet it would essentially serve as a key pillar of what Thomas Blanton calls the Cuban Missile Crisis “myth, midwifed by the Kennedy family and its hagiographers.” Various myths put forward in Thirteen Days and by other Kennedy administration insiders would sidestep, among other things, the direct quid pro quo agreement to remove U.S. missiles from Turkey and administration complicity in intelligence collection limits that forestalled American discovery of the missiles. Indeed, it would take (among others) Michael Dobbs’s One Minute to Midnight (2008) and David Barrett and Max Holland’s Blind Over Cuba (2012) to provide a thorough accounting for many of the omissions and errors of Thirteen Days.

 

 

The historiography of major national security events continues to evolve even after most primary source material has been uncovered. Any event will see newly uncovered primary sources, memoirs, and interviews in the years and decades that follow — but these eventually dwindle as the archives are thoroughly researched and protagonists pass away. There are likely not any narrative-shattering primary-source discoveries to be made regarding the Battle of Waterloo. Yet Waterloo’s story can be told better, more expansively, and more inclusively. Historiography evolves as previously unheard voices and perspectives are raised. Erik Larson’s 2015 Dead Wake, for example, did this for the story of the Lusitania. Few of the key facts or sources at the center of Larson’s work were fundamentally “new” — the majority were known to Lusitania historians and had surfaced in one venue or another in the century since the liner’s sinking. Yet Larson told the story in a new way — in his case, by constantly shifting perspectives among various participants (German submariners, Lusitania passengers, British signals analysts) as his chronology moved forward.

Always Something New

General histories of Pearl Harbor as an event have evolved significantly, from initial dramatic retelling of the event to focused study of the attack as a warning intelligence case study, to detailed, seemingly exhaustive histories drawn from the greatest breadth of archival materials, to highly readable, journalistic repackaging of the existing narratives 75 years on. The particular role of signals intelligence in this story has perhaps changed the most, as new sources have come to public light in just the past few decades, leading to serious reevaluation of initial assessments.

Melber, a lecturer at the University of Heidelberg, employs both his military history expertise and his Japanese language skills in this work. To be sure, if measured by quantity, the majority of Melber’s sources and data points are not presented here for the first time. Most of his historical narrative, verbatim quotes, and other facts and figures have appeared in one Pearl Harbor work or another over the past 80 years. Yet his work’s contribution to Pearl Harbor historiography is its folding of Japanese-language primary and secondary sources into an accessible, yet comprehensive, English-language narrative that weighs in at under 200 pages. (Melber published an earlier, German-language version in 2016.) In particular, Melber’s first 70 pages provide a fascinating look at the inner workings of Japanese political, military, and diplomatic circles. Drawing upon the Japanese-language memoirs of Japan’s ambassador to the United States, Nomura Kichisaburō, previously unpublished letters and diaries, and Japanese-language histories of the period, Melber paints a mosaic of hawks and doves, idealists and realists in Japanese circles, whose ultimate decisions were the result both of individual relationships and outside drivers.

Melber clearly outlines the outcomes of the actions on Dec. 7, 1941 as the result of large, geostrategic drivers: the complex (if not convoluted) inner workings of American and Japanese military, diplomatic, and political systems, as well as individual decisions made by individual actors that would have far-reaching consequences, especially in planning and executing the attack. Too much focus on any of these categories could lead a reader to under-appreciate the impact of the others. Pearl Harbor, like Larson’s Dead Wake, encourages readers to understand that no one category of action proceeded in a vacuum. The ultimate Japanese decision to attack, for example, was the simultaneous product of geostrategic realities (especially resource limits), previous political decision-making (the ongoing war in China), political upheaval in the Japanese government, military timetables (to successfully execute the necessary timeline of the plan for Pearl Harbor), and individual action (the bold planning of Isoroku Yamamoto and Minoru Genda).

Similarly, the failure of American intelligence to warn of the attack was the product of an institutional lack of focus on the Japanese threat compared to the war in Europe, a flawed American intelligence structure, and failings by individual analysts and commanders who should have been better postured against the threat of a Japanese air attack on Pearl Harbor. This kaleidoscope of drivers is not brand-new information — nor is it something that previous Pearl Harbor historians like Gordon Prange would challenge — but it is presented in a compelling, succinct, and well-sourced manner. Melber’s work reminds us that, as is so often the case, when we ask questions like “which was the most important reason for a major military attack?” or “which was the most important cause of a major intelligence failure?” the answer is correctly “yes.”

Melber’s work is not flawless. In recounting heightened tensions between the United States and Japan in the summer of 1941, he hints at a false equivalency between American and Japanese considerations of pre-emptive attacks, citing President Franklin Roosevelt’s authorization of sales of U.S. bomber and attack aircraft to China for use by Claire Chennault’s “Flying Tigers” American Volunteer Group to attack Japanese industrial targets. Melber frames this as “authorizing a military operation initiated by Chennault.” In point of fact, Roosevelt did no such thing — providing aircraft to the friendly Chinese government for use by the American Volunteer Group (regardless of what Roosevelt believed they might be used for) was not, as Melber puts it, “a pre-emptive American strike.” (Indeed, while not reflective of the larger character of Melber’s work, mischaracterizations like this illustrate the historiography challenge even decades on. General readers unfamiliar with the source material may be led to believe this is a widely accepted interpretation of the Roosevelt administration’s approach to possible preemptive attack — it is not, but may slightly bend the arc of Pearl Harbor’s evolving historiography in the wrong direction.) Later, in listing attack indications missed by U.S. intelligence, Melber notes a report from U.S. Ambassador Joseph Grew that a representative from the Peruvian embassy in Tokyo passed word that Japan’s opening attack in a future war with the U.S. would be a large-scale attack on Pearl Harbor. This report, widely addressed in existing Pearl Harbor literature, was rightfully ignored by U.S. intelligence: subsequent Office of Naval Intelligence research traced the source of the report to a rumor heard by a Japanese cook at the Peruvian embassy in December 1940, a month before Yamamoto had even proposed his attack plan to Japanese military leadership. The rumor, in turn, almost certainly originated from popular Japanese military fiction novels speculating about a future Pacific war rather than any insider knowledge of the attack. This cable from Grew has long fascinated Pearl Harbor historians, given what transpired nearly a year later — but, counter to Melber’s assertion that the War Department should be “reproached” for ignoring this report, U.S. intelligence was correct to discount it as having no clear basis in actual Japanese planning at the time.

One dynamic that Melber’s work helpfully illustrates is the elaborate, interwoven, interdependent nature of drivers when it comes to national policy as it moves forward in real time (rather than as we perceive it looking back). So many treatments of Pearl Harbor treat the Dec. 7 attack as an inevitable, singular conclusion toward which U.S. and Japanese foreign and military policy were marching together for months (if not years). Studies focused on the military and intelligence dynamics of the attack especially tend to start a clock running either in September 1940 (with the United States issuing major economic sanctions following Japan’s invasion of Indochina) or January 1941 (when Yamamoto secured approval to begin planning a carrier aviation strike on Pearl Harbor). Melber’s use of new Japanese primary sources and his book’s narrative focus on developments in the Japanese government in the summer and early autumn of 1941 make clear the terribly complex, often personal drivers behind Japan’s ultimate decision to move forward with the attack. Again, these dynamics have been addressed elsewhere — in general histories of World War II and the onset of the war between the United States and Japan — but Melber’s coupling of this deeper background to the specific attack on Pearl Harbor is what gives the book unique value.

A sub-element of these complex dynamics is the individual role played by each political, military, and diplomatic leader on both sides of the situation. While many individual details have appeared in other forums, Melber’s focused use of memoirs, individual correspondence, official government records, and sources previously unseen in English-language histories richly evokes the chaotic, incomplete, and confusing picture seen by individual diplomats and politicians. Just as Aleksandr Fursenko and Timothy Naftali’s One Hell Of A Gamble tells a breakneck-pace tale of suspicion, intrigue, and misestimation during the Cuban Missile Crisis, Melber’s work provides a similar service for the months and weeks preceding Pearl Harbor. As the book culminates in parallel narratives of final Japanese attack preparations — and ultimate American failure to detect and adequately posture against them — Melber’s narrative approach reinforces and succinctly recounts the intelligence lessons for both the United States and Japan put forward by Prange, Steve Twomey, and others. Both the flawed American intelligence system and individual poor decisions abetted warning failure at Pearl Harbor. But similar systemic and individual failings led Japan to fundamentally misestimate the prospects for long-term military victory following any surprise attack on the United States in the Pacific.

Conclusion

My father — a history professor and U.S. Air Force Reserve officer — was asked in 1978 to assemble a case study on the topic of warning intelligence for what is now the National Intelligence University. Some colleagues felt he should use a contemporary example to connect with students, who were mid-career warning intelligence specialists. He decided instead to reach back nearly four decades to Japan’s surprise attack on Pearl Harbor. The Tet Offensive (1968), Soviet invasion of Czechoslovakia (1968), and 1973 October Surprise all seemed more fresh and relevant. As he and I have described elsewhere, however, Pearl Harbor avoided some of the deep emotions, bureaucratic biases, and source material limits that plagued the historiography of those other, more recent events. Pearl Harbor offered a better case for which more details were known — indeed, could be known — because of this distance of time, the resulting availability of primary sources, and the analysis and reanalysis of journalists, academics, and other observers that shaped, updated, and improved Pearl Harbor’s historiography. Looking back over the eight decades of Pearl Harbor historiography, while my father was correct about the relative historiographic viability of Pearl Harbor in 1978, he could not hope to have known just how much more we would learn — and how much perspectives would change — over the next four decades.

Historical examples and case studies form the bedrock of so much national security thinking. It is seen most often in the trope of comparative metaphors, usually grounded in one German city or another (e.g., is each new international crisis 1938 Munich or 1961 Berlin?) The historiography of events like Pearl Harbor offers a cautionary reminder of Francis Gavin’s recommendation to think historically: “many facts have to be collected, shaved down to look alike, then aggregated and analyzed to discover generalizable laws of the universe.” Our understanding of Pearl Harbor — and the lessons that we might reasonably draw from it — continues to evolve eight decades later. Given how much national security professionals and educators rely on such case studies as data and reference points for their work today, we all have a responsibility to stay current with the latest histories — and remind ourselves of their complexity as we seek to learn enduring lessons from them.

 

 

Joseph Caddell is an adjunct assistant professor with the National Intelligence University, where he teaches graduate courses on intelligence collection, geospatial intelligence, and U.S. intelligence history. His research and analysis has been published in Intelligence and National Security, the International Journal of Intelligence and CounterIntelligence, Studies in Intelligence, and War on the Rocks. 

All statements of fact, analysis, or opinion are the author’s and do not reflect the official policy or position of the National Intelligence University, the Department of Defense, or the U.S. government.

Image: U.S. National Archives and Records Administration