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Spotify Gets Into Concert Ticket Sales, But Only Presale Events to Start

Spotify Gets Into Concert Ticket Sales, But Only Presale Events to Start

From music streamer to ticket agent: Spotify is expanding its reach with a new site for selling concert tickets directly to fans.

The test, dubbed Spotify Tickets(Opens in a new window), offers presale passes for a handful of artists—starting with Limbeck, Annie DiRusso, Dirty Honey, Crows, TOKiMONSTA, Four Year Strong, and Osees.

Log into your Spotify account and click an event for more information, like doors and show times, headliner and supporting acts, age restrictions, venue address, and ticket prices (including any booking fees, which are disclosed during checkout). Once the presale ends, Spotify refers users to a partner site where they can buy general admission tickets.

Spotify has already teamed up with Ticketmaster, AXS, DICE, Eventbrite, See Tickets, and others for its Live Events Feed, which promotes concerts to users via their in-app feed and direct messages. The company also rewards artists’ biggest fans by emailing info(Opens in a new window) about presale tickets and exclusive merch. But, until now, Spotify has never stocked actual tickets.

According to the site’s legal page(Opens in a new window), Spotify sells passes “on behalf of third parties” (venues, event promoters, fan clubs, artists), and does not set prices, but it will charge customers a booking fee.

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Spotify Tickets is thus far focused on presales rather than primary ticketing. Spotify did not immediately respond to a request for comment, but tells The Verge(Opens in a new window) that the company “routinely test[s] new products and ideas to improve our user experience, [and] Tickets.spotify.com is our latest test. We have no further news to share on future plans at this time.”

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Spotify revamps in-app concert discovery with new Live Events Feed – TechCrunch

Spotify revamps in-app concert discovery with new Live Events Feed – TechCrunch

Spotify is introducing a new feature that will allow users to better discover nearby events and concerts. The streaming service today announced it’s replacing its in-app Concert Hub with a new Live Events Feed that will allow you to find favorite artists’ events in your area in a way that’s personalized to your own interests.

The update is only the first step towards a reimagined strategy around live events, Spotify says. The company notes it’s aiming to further integrate event discovery into the app in the future, which could see in introducing new search tools, playlist formats, and other integrations into the app that will make event discovery an even larger part of the overall Spotify listening experience.

The company has been invested in concert discovery features for many years, as it first introduced a concert discovery feature back in 2015. Though Spotify doesn’t sell event tickets directly, it’s able to leverage its listening data and knowledge of a user’s location to suggest concerts to fans who may be interested in attending.

The new Live Events Feed continues to be powered by Spotify’s existing ticketing partnerships, which had earlier fed listings into the Concert Hub. The company works with Ticketmaster, AXS, DICE, Eventbrite, See Tickets, and others to help source the event listings and direct users to purchase their tickets.

Image Credits: Spotify

But this system wasn’t working as well as it should have been, it seems. In an interview published to the corporate blog, Spotify’s Product Manager for Live Events Discovery Sam Sheridan, admitted that music fans would engage with artists on its platform but would leave the Spotify app when they wanted to buy tickets or follow the artists on social media in order to get event updates. That indicates Spotify’s product wasn’t doing enough to retain the users interested in live events from using its own app to make their ticket purchases.

Though Spotify doesn’t disclose the details of its partnership agreements, this impacted its bottom line as Spotify earns affiliate commissions on the sale of tickets initiated in the app.

The updated Live Events Feed looks a bit different from the Concert Hub, the company notes. It now includes artist imagery, instead of just the calendar icon that showed the date and show information, as before. When you tap into a particular show, you can also see the concert lineup along with other event details, a link to purchase tickets, and other music recommendations. Spotify says it’s also introduced a new messaging tool, which will alert fans to personalized recommendations about live events based on their listening habits. Fans can control this experience by setting their notification preferences.

In addition, when users are streaming an artist in the Spotify app who has a show coming up, this information will now be displayed in the app while listening. This will help to surface live events even to those who don’t visit the Live Events Feed itself.

The company had to shift its live events strategy during the pandemic when it shifted focus to virtual events instead. But Spotify now believes the time is right to refocus on live concerts and events, as listeners are now excited to see their favorite artists perform live again.

“Ultimately, our goal is to ensure that fans are aware of all of the upcoming events by the creators they love and creators they may come to love,” said René Volker, Senior Director of Live Events, in the announcement. “We believe if we get that right, then we can get more fans to more shows and help artists and venues have better-filled rooms. We’d love to be a part of helping the live music industry recover and, even more importantly to us, helping to grow it in the years to come.”

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Spotify chief content officer calls Joe Rogan events a ‘learning experience’

Spotify chief content officer calls Joe Rogan events a 'learning experience'

Joe Rogan’s Spotify profile is seen in front of displayed Spotify logo in this photo illustration taken, February 7, 2022. REUTERS/Dado Ruvic/Illustration

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Feb 9 (Reuters) – Spotify’s (SPOT.N) chief content officer Dawn Ostroff told advertisers at a conference on Wednesday that the backlash around popular U.S. podcaster Joe Rogan’s podcast had been a “real learning experience” for the streaming service.

“We do feel that we have a responsibility to support creator expression, but also balance that creator expression with safety for our users and for our advertisers,” said Ostroff, who has been a key driver in Spotify’s work to turn the platform into a top podcast hub, speaking at an Interactive Advertising Bureau annual conference in New York.

The streaming giant has been under fire after Rogan, who signed a $100-million deal with Spotify in 2020, aired controversial COVID-19 views on his show and drew protests from artists Neil Young, Joni Mitchell and India Arie. Young said Spotify had “become the home of life-threatening COVID misinformation.”

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Last week, Rogan apologized and Spotify said it would add a content advisory to any podcast episodes on its platform with discussion of the virus. On Saturday, Rogan apologized again for using racial slurs after a montage video surfaced showing him repeatedly saying the N-word.

“We have been speaking to Joe Rogan and to his team about some of the content … of his shows, particularly his history of racially insensitive language, and Joe decided to take episodes off of our platform,” Ostroff said. She said Spotify does not have editorial control over “The Joe Rogan Experience” podcast but that it supported this decision.

Spotify’s Chief Executive Officer Daniel Ek said in a recent letter to staff seen by Reuters that he condemns racial slurs and other comments made by Rogan but would not be removing him from the platform.

The controversy marks the latest instance of a major tech company facing furor over its content moderation practices. Social media platforms such as Meta Platforms Inc’s (FB.O) Facebook, video sites like Alphabet’s (GOOGL.O) YouTube and streaming service Netflix have all come under scrutiny over the material they allow on their services.

Ostroff called “the dilemma of moderation versus censorship” the biggest challenge facing “every single platform today.” She said there was no silver bullet but that Spotify’s team was always looking to see how it could do better.

She also urged advertisers to participate and help in the company’s evolution, saying “we really want to be able to be good partners.”

Spotify has invested over $1 billion in the podcasting business. Last week, it posted higher than expected fourth quarter revenue and reported 406 million active monthly users, up 18 percent from last year, though its subscriber forecasts for the current quarter came in lower than Wall Street estimates. read more

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Reporting by Elizabeth Culliford
Editing by Nick Zieminski

Our Standards: The Thomson Reuters Trust Principles.